Unreleased Solo Tracks
This page includes full details (where known) of all unreleased solo tracks, listed in alphabetical order. It only lists unreleased songs (as opposed to unreleased versions of songs), and where possible full lyrics are given. However, because they are unreleased (and in some cases unfinished), the known details are very few and may be inaccurate.
Roger Taylor Tracks
Celebration | I Can Take You Higher | I Can't Get You Out Of My Head | I Wanna Take You Higher | Keep On Running | Olympic Theme
| Out Of
My Life
Brian May Tracks
God
(The Dream Is Over) | Macbeth | (Marie's The Name) His Latest Flame | Olympic Theme
| Sleepy
Blues | The Green Parade
[Please note that some of Brian's tracks which are unreleased but
have been aired on TV programmes are on the Brian May
Miscellaneous Songs
page]
Freddie Mercury Tracks
Africa
By Night | Garden Lodge
Improvisations | You Are The Only One | Other Tracks
[Please note that some of Freddie's demos have been released in
the 'Solo' boxed set, and details are on the Freddie Mercury Miscellaneous
Songs page]
Africa By Night
This track was recorded by
Freddie (possibly with Montserrat) for the 'Barcelona' album. The
track later evolved into 'All God's People', and it is believed
that the two sound very similar (which possibly explains why it
isn't in the boxed set).
Celebration
This track sounds like The Cross, and
would probably fit well on 'Mad Bad And Dangerous To Know'
alongside 'Old Men'. However, it was recorded by Roger for
'Strange Frontier'. It is very good and quite 'funky', dominated
by drums and synthesisers, but would sound out of place on the
album. Length 5:12.
Lyrics:
Do you close your mind?
Do you hide your eyes?
Do you turn away 'cos it must be lies?
It ain't luck it's only in the hands of fate
We're happy in the world so celebrate
Celebration
Easy on me
For the chosen ones
Celebration
Look around you
See what happens
When the people get no satisfaction
Too many others got more than their need
You can have it
If you want it
Take a share and we can build an army
Hand it to your brother sold and see
Celebration
Easy on me
For the chosen ones
Celebration
Make excuses
Explanations
A million reasons for the situation
Can you stand to watch the hunger and the greed
Celebration
Easy on me
For the chosen ones
Celebration
It's a new day
Feel it calling
Now the time has come
Celebration
You start to live when you start to believe
That your heart has no colour or creed
Don't let it lie
Don't let it die
Let it bleed
Listen and you believe when it's on TV
The crime and the dying and the misery
But you should work, you should sleep
And live in your life so pure and sweet
It's no good saying 'what can I do'
There's too many people in the world like you
You gotta do it now 'cos it's getting late
Don't you want the world to celebrate
Celebration
Easy on me
For the chosen ones
Celebration
It's a new day
Feel the calling
Now your time has come
Celebration
Don't you want the world to celebrate?
Don't you want the world to celebrate?
Don't you want the world to celebrate?
Don't you want the world to celebrate?
Don't you want the world to celebrate?
Don't you want the world to celebrate?
Don't you want the world to celebrate?
Don't you want the world to celebrate?
Garden
Lodge Improvisations
These are three recordings,
presumably made on the same night, of improvised singalongs,
featuring Freddie, Mike Moran and Peter Straker, with only piano
accompaniment. Sources suggest they were recorded at Christmas,
1987, although I do not know how accurate this is. The tracks are
'Rock A Bye Dixie' (1:29), Girl From Ipanema (3:36) and Fuck Off
And Die You Fag (3:11), although they may also be known by other
names.
God (The
Dream Is Over)
This track isn't a demo as
such, but it is an unreleased live track. It was dropped from the
'Live At Brixton Academy' album due to copyright reasons. It was
originally the penultimate track, between 'We Will Rock You' and
'Hammer To Fall', and is a cover version of a John Lennon track
about the break up of The Beatles. Brian has changed the lyrics,
which probably explains the copyright objections. This is a
simple song, with fairly basic music, and is mostly an acoustic
track, but has a heavier section in the middle (the 'I don't
believe' lyrics). The lyrics below are for a version of the
track, which may or may not be from the Brixton concert. As well
as the full version, there is also a 1:39 excerpt available
(which contains only the first verse). Length 5:07.
Lyrics:
The dream is over, what
can I say
The dream is over, yesterday
We were the fab ones, but now it is gone
I was the gentle one, but now I must be strong
And so dear friends we'll just have to carry on
The dream is over
Ooh, the dream is over, no matter what they say
The dream is over, it has to be this way
We played in springtime, but now I play in fall
We hit the bigtime, but now we are small
And our dear friend let's hope he has it all, still
The dream is over
I don't believe in magic
I don't believe in games
I don't believe in heroes
I don't believe in fame
I don't believe the newsprint
I don't believe we're free
I don't believe in nations
I don't believe in pride
I don't believe in pressure
I don't believe we're right
I don't believe in torture
I don't believe in fight
I don't believe in colour
I don't believe in white
I don't believe in history
I don't believe in being Queen any more
I just believe in me
Just you guys and me
And that's reality
Yes, the dream is over
Dream on
I Can Take
You Higher
Unfortunately, this is the
last 40 seconds of the 'Strange Frontier' track, which is a fast
paced song, which sounds as if it would have fitted well on the
album. Obviously it's only a very short 'taster' of the track,
but it sounds very good all the same. Length 0:40.
Lyrics:
What you got to lose
'Cos loves a score of nothing
And we ain't never coming down
Baby I can take you higher
Lift your two feet off the ground
What you got to lose
'Cos loves a score of nothing
And we ain't never coming down
I Can't Get
You Out Of My Head
This track, recorded during the
'Strange Frontier' sessions, has a country mood, and would have
sounded rather odd on the album. However, like 'Two Sharp
Pencils', it would have been a good B-side track. It seems as
though this track may also be known as 'Out Of My Life'. Length
3:37.
Lyrics:
I can't get you out of my
head
No I can't get you out of my head
Sometimes it don't seem right
Can't seem to sleep at night
No I can't get you out of my heart
No I can't get you out of my heart
Maybe I'm out of touch
Sometimes I feel too much
Where are we going?
What are we going to?
Times are changing
But I don't want to
I can't get you out of my life
No I can't get you out of my life
Sometimes it don't seem fair
Feels like I'm going nowhere
I can't get you out of my life
We had a feeling
You know we were going strong
I thought it would last forever
Turns out I'm wrong
Where are we going?
What are we going to?
Times are changing
But I don't want to
I'm out of my head
I'm out of my head
I'm out of my head
Where are we going?
What are we going to?
Times are changing
But I don't want to
We had a feeling
She knew we were going strong
I thought it would last forever
Turns out I'm wrong
I'm out of my head
I can't get you out of my head
'Cos I can't get you out of my head
I can't get you out of my head
I Wanna
Take Your Higher
This is a fairly fast paced 'Strange
Frontier' out-take, which has some distorted vocals and would
have fitted well on the album alongside the likes of 'I Cry For
You'. Length 3:19.
Lyrics:
Got my baby in overdrive
My foot's on the floor and I feel alive
Put her in second and leaving cold
Eat my dust never live to be slow
Sitting alone in your favourite chair
Counting the reasons you should not be there
This is the truth
I wanna take you higher
I wanna take you higher
Wanna take you higher than before
Wanna take you higher, said
I wanna take you higher than before
She screams like a kid when I'm making the turns
She holds in the skids when the rubber burns
Watch for the cops and watch for the signs
Life in the fast line you look into the lines
Feeling alone on some everyday street
These are the moments you really don't need
This is no truth
Wanna take you higher, I said
I wanna take you higher
Wanna take you higher than before
You know I wanna take you higher
I wanna take you higher than before
So if you feel like a buzz, I feel I can fly
Just hold your breath, and step inside
Keep hold of your hat, enjoy the show
Eat my dust, never live to be slow
Who really knows what's in store in the end?
Who really knows what's around the very next bend?
Why should we care?
I said I wanna take you higher
Wanna take you higher, you know I
Wanna take you higher than before
Wanna take you higher
Wanna take you higher than before
I wanna take you higher
I wanna take you higher than before
Woo
Hey
You got your problems, take my advice
Do what you can get a kick out of life, oh, yeah
Wanna take you higher, woh, yeah
Wanna take you higher
Alright
Alright
Keep On Running
This 'Strange Frontier' track,
originally by the Spencer Davis Group, is a great cover version,
and is good enough to have been on the album or used as a B-Side.
It was probably omitted because there are already two covers on
the album, or because of legal complications. Length 2:57.
Lyrics:
Keep on running
Keep on hiding
One fine day I’m gonna be the one
To make you understand, oh yeah
I’m gonna be your man
Keep on running
Running from my arms
One fine day I’m gonna be the one
To make you understand, oh yeah
I’m gonna be your man
Hey, hey, hey
Everyone is talking about me
Make me feel so bad
Hey, hey, hey
Everyone is laughing at me
Make me feel so sad
So keep on running
Baby
Alright
Hey
Keep on running
Keep on hiding
One fine day I’m gonna be the one
To make you understand, oh yeah
I’m gonna be your man
Keep on running
Running from my arms
One fine day I’m gonna be the one
To make you understand, oh yeah
I’m gonna be your man
Hey
Hey, hey, hey
Everyone is talking about me
Make me feel so sad
Hey, hey, hey
Everyone is laughing at me
Make me feel so bad
So keep on running
Hey, hey
Running from my arms
I wanna be your man
Make me feel so good
Make me feel so good (I wanna be your man), alright
I wanna be your man, wooh-ooh
I wanna be your man
I wanna be your man
Macbeth
Brian recorded the soundtrack
for a theatre production of 'Macbeth' on a computer in 1990.
Parts of the track had already been written by someone else, but
Brian added sections to complete it. The music was copied onto a
cassette to play in the theatre, and so three versions are
available - from the floppy disc, the cassette, or recordings
from the theatre itself (which also features dialogue and
audience noise). All versions are very rare and sought after.
There is at least one MP3 download available which claims to be
Macbeth, but is actually known as 'Moody Keyboards' and comes
from the 'Back To The Light' era. This track is 5:37 in length
and features atmospheric keyboards, keyboard panpipes and
keyboard bells.
(Marie's The
Name) His Latest Flame
This track was recorded by
Brian (most likely 1997/8) for an abandoned covers album titled
"Heroes". The album later became "Another World", and it (and it's singles) feature 7 other cover
versions.
The track features Brian and Cozy Powell, and it is quite basic,
so it is possible that it only features Brian and Cozy.
The original was recorded by Elvis Presley and reached no. 1 in
1961. I have taken the title (and subtitle) as it appears in the
"Guiness Book Of British Hit Singles".
Length 2:58.
Lyrics:
(An unknown word at the very start from
Brian)
(Ahh-uh)
(Ahh-uh)
A very old friend came by today
'Cos he was tellin' everyone in town
All the love that he'd just found
And Marie's the name of his latest flame
He talked and talked and I heard him say
(Oooh, ooh) That she had the longest, blackest hair
(Oooh, ooh) Prettiest green eyes anywhere
And Marie's the name of his latest flame
(Ahh-uh)
(Ooh-oh, ooh-oh) Even though I smiled, the tears inside were
burning
(Ooh-oh, oooh) I wished him luck and then he said goodbye
(Ooh-oh, ooh-oh) Oh, he was gone but still his words kept
returning
(Ooh-oh, oooh) What else was there for me to do but cry
Would you believe that yesterday
This girl was in my eyes she swore to me
She'd be mine eternally
And Marie's the name of his latest flame
Oh, even though I smiled, the tears inside were burning
I wished him luck and then he said goodbye
Oh, he was gone, but then his words kept returning
What else was there for me to do but cry
Ooh-ooh-ooh-oh-oh-oh-oo-oo-oo, ma, maa
Would you believe that yesterday
(Oooh, ooh) He was tellin' everyone in town
(Oooh, ooh) All the love that he'd just found
And Marie's the name (oooh) of his latest flame
Yeah, Marie's the name of his latest flame
Oh, Marie's the name of his latest flame
His latest flame
(Oooh, oooh)
(Oooh, oooh)
(Oooh, oooh) his latest flame
(Oooh, oooh) um
(Oooh, oooh) his latest flame
(Oooh, oooh) his latest flame
(Oooh, oooooh)
Olympic Theme
Both Brian and Roger were
approached (individually) by Thames Television to produce the
theme music for their coverage of the 1988 Olympic Games.
However, neither of the pieces were used, as music by Eric
Clapton was chosen instead.
Roger's Theme
This track is dominated by drums as you
would expect, and sounds like elements from the extended intro to
'Strange Frontier'. It's a very strong track and features John on bass.
This track is officially unreleased, however a 2:06 excerpt is
available on YouTube and highly recommended. Full length 4:30.
Brian's Theme
This track begins with keyboards,
before drums and guitar kick in. It is a very good, fast paced
track, and seems as though it would have fitten well as an
Olympic theme. The keyboards and drums dominate the track, and
most of the guitar work is not very prominent (which could be due
to the bad quality). As well as the full version there is a 1:37
excerpt which fades out abruptly. Length 3:30.
Out Of My Life
This track was apparently recorded by
Roger for 'Strange Frontier', although reading other sources it
seems that it may just be an alternative title for 'I Can't Get You Out Of My Head'
Sleepy Blues
This track is basically Brian singing
an idea for a song, intended for 'Back To The Light'. It doesn't
feature any instruments at all - Brian sings all parts, including
the music, and the few lyrics present are improvised (those given
below are only an approximation). The track is a blues song,
which sounds quite good but it wouldn't have fitted on the album
at all, and whether the track progressed beyond this stage is
unknown. The track is also known as 'Drunken Blues'. Length 5:23.
Lyrics & Dialogue:
Right. Now this is a
song, some blues, for the session upcoming, dated the 5th of
March or something, yeah. Due for some sessions soon for my solo
album (unknown dialogue). This is a blues song.
Loving you (ad-libbed
lyrics)
Loving you (ad-libbed lyrics)
If you find me anymore
(Ad-libbed lyrics)
(An ad-libbed verse)
You makin' me (ad-libbed lyrics)
I've got the lovin' blues
Yeah, I've been sitting here all night long
You know you can't let go
(Ad-libbed lyrics)
It needs a prize there (???). And then -
harmonica solo
Yeah, and I've been rolling all night long
I've been dreaming low
And I've been weeping all night long
Since you've been gone pretty baby
Got you too long
(Ad-libbed lyrics)
Guitar solo
Been dreamin'
I've been weeping all night long
(Rest of lyrics are ad-libbed)
The Green
Parade
In 2006, on his website, Brian
revealed that he had written a track called 'The Green Parade'
which is basically a protest song, set in the future when people
have respect for the planet and animals. He wrote it around the
time he was producing 'Who Wants To Live Forever' with Ian &
Belinda for the BBMDA, and this track was intended as the B-side.
Although they recorded a few takes of it, they ran out of time to
finish the track, so it remains unreleased. He also quoted part
of the lyrics, as listed below.
Lyricss (an excerpt
only):
Ooh - does your heart beat faster
Ooh - taste the air we breathe
Ooh - in the tears and the laughter
Marching in the Green,
Marching in the Green
Parade
You Are The
Only One
This is a very simple track, recorded
in 1985 or 1986, which features just Freddie at a piano, singing
a very rough outline for a song. The piano seems to be complete,
but Freddie's vocals are mostly ad-libbed apart from a few
lyrics. It is a very basic song, and could be intended either as
a Freddie solo or Queen track. Length 1:59.
Lyrics:
Um, da, da, da
Da, da, da, da, da, da, da
I'm so sorry
Got my head in the clouds
Do, do, do, do, da, da, da, da
Da, de, da, da, da
You are the only one
You are the only one
Do, do, do, do
Honey our love can be
La, la, la, la, la, la, la
Dee, dah
You are the only one
Do, do, do, do
Do, do, do, do, do, do
Do, do, do, do, do, do, do, do, do
I'm so sorry
I'm so sorry
Do, do, do, do, do, do
Do, do, do, do, do, do, do, do, do
Na, na, na, na, na
You are the only one
Da, da, dee, dah
Do, do, do, do
Honey our love can be
Do, do, do, do, do, do, do
(Freddie coughs)
Other Tracks
These tracks are either only
rumoured to exist (and no-one has ever heard them) or the full
details of them are available on another page.